Tag Archives: Dylan Thomas

Hazardous Doin’s

The cicadas are droning.

The frogs are singing an ominous bass line.

In the distance a tree toad is trilling for attention to be paid.

The fountain in the (black) lagoon is gurgling.

I might as well be in the jungles of India.

And, I am.

I am avidly lost in Gordon Casserley’s 1921 adventure tale; THE ELEPHANT GOD. The protagonist has just been attacked by a strategically-placed cobra, his slippers have been deliberately baited with a krait, his breakfast has been poisoned, and he’s now trapped in a courtyard with a mad elephant. He has eluded every threat thus far, but what might be next?

I am a true “Jeffty” who will always be five years old (100 points if you know that reference). I’m goggle-eyed and slack-jawed, unaware as my wife Janie pads in silently and whispers like thunder; “Are you awake?”

I gasp…..

….oh no……

…I shriek and suck all the air out of this quiet Hollywood/Mt. Vernon neighborhood in Central Kentucky.

My head snaps up out of the book and out of India, whiplashing my life before my eyes (that’s gonna ache…where’s the Naproxen?)

Reading is dangerous!

Who’d a’thunk?

Reading is dangerous. I’ve lived in that perilous valley since Dick and Jane, since Doctor Dolittle, since Bartholomew Cubbins’ Oobleck. At least, that’s what the news cycle and the Kentucky State Legislature has been telling me.

Oobleck…sounds like something that might have escaped from a Chinese wet market. Hugh Lofting’s colonial depictions of non-white races are clearly offensive in the 21st century, though the kindness and respect he grants animals, and his objections to fox-hunting ameliorate my frown a mite. Dick and Jane’s relationship with Spot…grooming for bestiality? Cultivating a species prejudice against cats?

Dangerous stuff indeed.

I don’t know how I survived all this indoctrination.

I’ve read voraciously my whole life. Hell, I read at red lights.

I’ve read Jack Kerouac, Herbert Huncke, William Burroughs, Allen Ginsberg, Hunter Thompson, Paul Bowles, and Abby Hoffman. I’ve never done drugs, been drunk at the Derby, been arrested, or shot my wife. I have thought freely and fiercely, questioned authority, and sought the next right thing to do.

I’ve read Harper Lee and learned the value of standing on another man’s porch and looking out at the world as he sees it…and sought the next right thing to do.

I’ve read H. P. Lovecraft and Edgar Allan Poe and learned that behind some doors lie madness…which is clearly not the next right thing to do.

I’ve read Clair Bee and Wilfred McCormick and still cannot hit a curve ball…but I have a better idea of the next right thing to do.

I’ve read Edgar Lee Masters, Sherwood Anderson, Dylan Thomas, and Davis Grubb. I know that so many of us with widely varying competences are most often searching for the next right thing to do.

…the next right thing to do…

Surely that’s a worthy quest. Yes?

Even at the cost of a rude misstep or two, or an awkward or offensive moment, or a challenge to our beliefs…

…or even a hair-whitening scare from a stealthy-footed Janie.

The Dylan Thomas & Groucho Marx Meeting You Never Heard About

The Dylan Thomas and Groucho Marx Meeting You Never Heard About

It would have been in the fall of 1968.

It was a big night for little Roger.

I was a senior in high school and I was going to see the college theatre guys at the University of Kentucky do a play.

It was a student production of Dylan Thomas’ sublime Under Milkwood in the Laboratory Theatre (now the Briggs Theatre). I love Dylan Thomas’ work and I especially love THIS Dylan Thomas piece. It’s told in small town voices that resonate in all the world and in all times. Over the years I have discovered for myself several pieces that do similar services for us; Sherwood Anderson’s WINESBURG, OHIO, Thornton Wilder’s Our Town, and Davis Grubb’s profound and relevant THE VOICES OF GLORY. People talking about themselves…there’s nothing truer…even when they’re lying.

I’m sitting in the theatre, in the middle of the house. The lights dim. And isn’t that the moment?

Isn’t it??

Anything can happen!

Chances are very good that by the closing curtain, you will not be the same person you were before the lights dimmed.

You will have been moved.

Perhaps an inch…perhaps a mile…

You will have been changed.

Perhaps into……?

I always hope so.

This particular night, I’m facing a darkened center stage, framed by two lit podiums. The podiums are inhabited by two young actors who intone the opening narration.

The stage right actor reaches a crucial moment…

Wait!

If we could take a moment for a seemingly extraneous thought…

In his eighties, during his hilarious Carnegie Hall concert, Groucho Marx relates how he first got into show business. Please understand, I’m paraphrasing from memory.

“I needed a job. I read an ad in the paper that offered employment. You had to apply at an address near my home. I ran five blocks to the building and climbed six flights of stairs and knocked on the door. A guy answered wearing lipstick and high heels. I thought; ‘How long has this been going on?’”

…end of the seemingly extraneous thought.

Back to Under Milkwood

The stage right actor reaches a crucial moment and says;

“We look in on the sleepy town of Milkwood as the dawn inches up…”

It doesn’t.

Not even an inch.

The actor hurls some serious “side-eye” to the middle of the stage but stammers on. He rambles through various unconnected bits of Dylan Thomas prose, giving the light crew a chance to awaken. Finally ready to try again, he suggests;

“We look in on the sleepy town of Milkwood as the dawn inches up…”

Nope.

No joy.

No light.

Only the despair etched in our young thespian’s countenance.

To his credit, he drones on. I catch snatches of Shakespeare, Pinter, Lewis Carroll (“The Walrus and the Carpenter” no less), and maybe a filthy limerick or two. It was a wondrous salad of desperate foolishness. Eventually, he closes his eyes and prays. Then the eyes open wide and he shouts;

“WelookinonthesleepytownofMilkwoodasthedawninchesup…”

BAM!

Lights up full!!!

The young actor staggers back under the luminous assault and in a clear state of relief. I dare say it might have been his personal “light on the road to Damascus”…and at such a young age. How lucky for him. How lucky for me not to be him at that moment.

The show goes on.

Man!

How long has this been going on?