All posts by junesboy

A Feast for the Eyes

Movie night!

Flicks a la Francais.

It’s been a week of French cinema pour moi.

Janie and I have practically forsaken physically going to the movies. Since the spawning of covid, I don’t think we’ve been in a movie theater more than five or six times. Why should we? We have a big screen, various fire-sticks and subscriptions, a critter, and a convenient parking place at home. Door-Dash and/or the fridge are near to hand.

But a phone call from a wise friend who understands real priorities in life pointed out that Juliette Binoche continues to be fine to observe on a big screen. A date night at the Kentucky Theater ensued.

THE TASTE OF THINGS (2023) is delicious to watch. It’s fun to see Madame Binoche cooking again. I first saw her in Krzysztof Kieslowski’s 1993 mesmerizing film; THREE COLORS: BLUE, and then his earlier THE UNBEARABLE LIGHTNESS OF BEING (1988). A couple of years later I won a huge lobby poster of BLUE on eBay. I still haven’t found a space of suitable vastness to hang it, but I harbor hopes…perhaps a new wing to a house already too roomy for two dreamers. She cooked beautifully for Johnny Depp, Judy Dench, and Alfred Molina in CHOCOLAT (2000). Hell, I even thought she was the best thing in the 2014 GODZILLA – better than the big guy himself.

And THE TASTE OF THINGS is a nice film itself, but like some of Akira Kurusawa’s flicks, perhaps a battle too long. The ballet of the preparation of the opening feast lingered on every step in the kitchen.

Lingered…

Every step…….

I fear I had enough time to tally the pots and pans and utensils with the weary eyes of one whose main contribution in our kitchen is the post-prandial clean-up.

However, if you’re a member of the seemingly burgeoning crowd of people who take pictures of their food, this is the film for you.

I must fess up: I have been charmed but bewildered by this phenomenon.

I wonder…

The glory of a memorable restaurant meal is a recipe with multiple ingredients.

The food is one ingredient, but only one.

The setting is another. Is the room dramatic? Cozy? Huge? Is there a view of the ocean…mountain…desert…skyline…rings of Saturn? Is it on the roof…on the street…by the fireplace…in the kitchen?

Is the company good?

I have had memorable restaurant experiences.

  • Calamari and six vintage ports overlooking the Bay Bridge in San Francisco…
  • A Nighthawk Special in a cavern-like Columbia Steak House at 2am on Limestone Street.
  • Chateau Ausone 1978 in Yvette Wintergarden’s in Chicago.
  • Hot cross buns and café au lait in the snug of the local at Haver Castle on a grey morning.
  • Eggs Nova Scotia in a booth with a wall juke box at the Bungalow across the street from the Nu-Way Boot Shop on Mill Street.
  • Huevos Ranchos in in a sunny diner in Salinas.
  • A Caesar Salad lovingly assembled tableside in Denver.
  • Hot dogs off the right field line at Wrigley Field on a sunny Saturday afternoon. (Phillies lost).
  • Shrimp and grits on an overturned cable spool table, watching a shrimp boat unloading its resupplies at the neighboring dock in Charleston.
  • Green Chile Won Tons at the Bristol in Louisville after a stunning performance of “Child Byron” at Actors Theatre.
  • Coq au Vin at Café Chantant before slipping downstairs to Le Cabaret on Vine Street.

The food, the time, the place, and most of all the company, is what made these experiences memorable. I wanted to capture each of them forever, recreate the moments for myself, and be able to share them with others. Perhaps that’s why we take our meal photos.

No photo is up to such a task, but the urge to share and relive the good stuff is nothing but admirable.

Ohtani and the Third Rail

I love baseball.

Always have.

Since the 1961 Reds (Vada Pinson, Jim O’Toole, Frank Robinson, Jerry Lynch, Jim Brosnan), and Curt Gowdy/Tony Kubek on Saturday afternoon TV games, I have known the ambrosia of bat, ball, and glove.

Pete Rose was a god to me.

But there was only one “third rail” in the game and everyone knew what it was.

If you gamble on baseball, you cannot play professional baseball.

Worth repeating for clarity; if you gamble on baseball, you cannot play professional baseball.

It diminishes me, and baseball, and the planet, for Pete Rose to be excluded from baseball…but he broke the one clearest rule of the game.

Should it turn out that Mr. Ohtani has committed a similar offense……

If we cannot maintain an integrity in our games, I despair of maintaining it in the things that matter in our lives…such as government.

I resist and will persist in resisting that despair.

Terror in the Jungle

Well…

…maybe more like “Frisson in the Foliage”…

Movie night!

Picture this.

A divorced father puts his 6-year-old son and his stuffed tiger (I’m already confusing this with Calvin and Hobbs – this can’t auger well) alone on a plane bound for Brazil and bound for the boy’s mother. (You don’t need to keep track of the personnel here, this is the last we hear of the mom from Ipanema.)

The dutiful dad then heads for the airport bar – I kid you not. Maybe instead of “Terror in the Jungle,” it should be; “Mai-Tai’s in the Tiki Bar.”

The plane is populated (infested?) with a tawdry, middle-aged. purple-puffy-shirt-wearing, Beatles knock-off band (oh yes, complete with mop-top wigs in shades of color God never intended).

Airplane band revisiting life choices

They play one of their “hits” in the back of the airplane cabin (oh yes, with full drum kit) as the plane crashes on the Amazon and everyone is eaten by crocodiles except the kid. If I’m lyin’, I’m dyin’.

The child drifts down the river in a coffin (it’s too complicated to go into right now) until he’s captured by descendants of the Incas who have the same crummy wigs as the doomed band on the plane. They also wear those same feathered Indian headdresses I used buy in the gift shop at the old Bird and Animal Forest on Highway 27 when I was a kid. The tribe decides first to dance on stone steps to entertain the child (frankly, the best part of the show) and then to sacrifice him to their god. Talk about yer mood swings!

Meanwhile, dutiful dad has sobered up, heard about the crash, and races grimly by plane to Brazil, then by hotel shuttle to check in (I KID YOU NOT), then to a church, and then to a riverside mission in his coat and tie to rescue his son. Will he make it in time?

This is truly one of the worst films I’ve ever seen.

Oh yeah, there’s piranhas, boa constrictors, jaguars, and quicksand too. The only vital ingredient missing was an inexplicable yeti.

I loved it.

Sewing the Sea to the Sky

It was a warm, salty, sunny day in the June of 1984, on the Outer Banks of North Carolina.

I lived then, and live now in Lexington, Kentucky, the largest US city with no major water element…or so I’ve been told. We have no ocean, no lake, no river. We do have the Town Branch of the Elkhorn Creek that runs through our downtown, or at least it formerly did. We (“we” being folks before my time) paved over the creek. Thus, it now runs under our downtown.

I’ve never seen it.

But I suspect many of us Lexingtonians, like divining rods, know it’s there, and I think we harbor a longing for it. A few years ago, an enterprising local artist ran an audio cable through a sidewalk that lies between a 20-story downtown bank building and its parking structure to a microphone near the underground waterway. Hidden speakers whispered the sounds of running water to the strollers on their way to make their mortgage payments. Not exactly ocean surf…more like trickles of desperation.

I love where I live, but I do long for big water…and a major league baseball team. It’s all that stands between Lexington and perfection in my book.

The first time I saw an ocean was on winery/vineyard business trip to California. One late afternoon, my colleagues and I drove our rental gondola of a car due west until our path ended on two tire tracks on the grass. We walked to the cliff overlooking the biggest water I’d ever seen.

A couple of days earlier, I had made my first hajj to City Lights Bookstore in San Francisco and now I was standing at the physical and logical end of Kerouac’s road. I was at the end of the western world, basking in that western light, gazing across to where nothing was visible, nothing was promised, nothing was assured, and nothing was finished. The possibilities of Diebenkorn’s and Seurat’s blank canvases were immediate and possible. What was on the other side? Stoppard advises; “I wouldn’t think about it if I were you, you’d only get depressed.” Tolkien is more hopeful, but just as final, and since I did not want to visit those Grey Havens while still in my 20’s, I reluctantly pulled myself away…changed more than a bit, to a more pedestrian search for Dr. David Bruce’s winery and some colossal chardonnays.

I have been mesmerized by big water ever since. Key West, Clearwater, Biloxi, New Orleans, Savannah, Charleston, and the Outer Banks. Waves and tides, sunsets and sunrises, lakes, bays, rivers, marshes, herons, dolphins, pelicans…

Pelicans…

…ah yes-s-s-s, pelicans…

…back to 1984.

It had already been a long, full day and we still had a ways to go…but that was alright. By this time, I was pretty warm and salty myself, and still fairly sunny.

The Outer Banks are big water writ even bigger water. These fragile strips of sand are far enough out to sea that to the east you can’t see Africa though you’re told it’s there, and to the west you can’t see the mainland though you’re told…

Sunrise over the water inspiring your day.

Sunset over the water evaluating your day.

Promising to do better tomorrow…or perhaps, nothing at all.

This day, the Queasy Rider and I had been covering ground all day.

We had left the third member of our expedition, P-Tom, back at the beach house, nursing his badly sunburned feet. P-Tom had camped out the previous afternoon on the deck, in the shade, with 800+ pages of light reading about Confederate naval fortifications. As sure as martello walls must crumble before the onslaught of the modern cannonballs of 1861, it was just as inevitable that P-Tom’s page-turner was no match for the insidious onslaught of the warm ocean sun.

He slept.

The shade moved, as fickle shade will.

His beach-appropriate bare feet were exposed.

He snored.

His feet simmered.

We’ll turn that inevitable page for him.

Queaser and I were sympathetic, but still ambulatory. Heartless and undeterred, we beat our un-fried feet down the road to adventure.

We checked out the site of the Chicamacomico Races. This is just fun to say out loud, and it was where the Blues and the Grays in the jolly 1860’s spent a day chasing each other up and down a sandy stretch of beach that meant little to either side, to no discernible improvement to the strategic chances of either side. I forget who chased who first, but both factions got their turn to chase. It was like a re-enaction of something that had not yet been enacted. I dunno. It plumb evaded me. Maybe there was yelling and whooping and beer involved. Maybe it ended in a real nice clambake.

We moved on to see the lighthouse at Hatteras. This is the lighthouse that was moved back from the encroaching sea. It was an impressive feat, but not speedy, and we had a ferry to catch. We were on our way to Ocracoke Island.

Ocracoke was pleasant and small—humps of sand, clumps of sea oats, and a squat lighthouse that was going nowhere.  We had pretty well “done” the isle in about 20 minutes, but we had time to kill before the return ferry. We treated ourselves to a dark little restaurant and some dubious-looking, but tasty chowder.

Now we were returning on the ferry along the fringe of the Pamlico Sound to Hatteras. We were leaning on the rail looking toward the mainland we were assured by the maps was out there somewhere.

A line of ten or twelve pelicans flew sinuously past on a course parallel to our craft…above the horizon…then below the horizon…above again…then below again……repeatedly……………..sewing the sea to the sky.

I admire pelicans.

They look so ungainly on land and so commandingly graceful when they fly.

Sewing the sea to the sky, a beautiful unconscious act of nature, oblivious to and unconcerned with the fact that their stitches will never hold.

I have many friends who are stage actors and directors. They are pelicans. They create people and situations that stun and move real people. They sew the sea to the sky for the run of a show. Their stitches never hold. The show closes and the moment disappears except in the minds and hearts of those they stunned and moved…and in their stories shared with other pelicans over omelets at Josie’s breakfast oasis.

These pelicans are oblivious and unconcerned. They have new lines to learn. They have new, un-permanent stitches to sew.

They have new sowing to do, and new lies to tell.

I admire pelicans.

Naked Alibi

Movie night!

Wandering the never-daylit streets and alleys of Border City as depicted in Jerry Hopper’s 1954 noir; NAKED ALIBI. No one’s naked and Gene Barry’s flimsy alibi is only honored as long as it takes to get us to Border City in time to see Gloria Grahame awkwardly lip-sync and even more awkwardly wiggle to Cole Porter’s “Ace in the Hole” (not one of Porter’s best).

I’ve now crossed Border City off my bucket list of places to visit. Grahame constituted the entire floor show of the neon-lit, smoke-filled El Perquito and since she took two shots of luger lead in the back and left in a hearse……and, frankly, her star turn in the bar was pedestrian-minus anyway, what tourist attractions were left? Plus, I couldn’t find Border City on Google.

Sterling Hayden is the hero in this flick. For me, he’s the epitome of an ambivalent performer. I remember him most vividly as the crooked cop who gets wasted by Al Pacino in THE GODFATHER after apologizing for frisking Pacino and while thoroughly enjoying his cannoli. In this film…is he nuts…or is Gene Barry? Hard to tell until it’s too late to matter.

Grahame made this film just after THE BIG HEAT. It’s a similar character in many ways, but with a much smaller budget and much, much dowdier wardrobe.

Gene Barry is good. He’s pathetic, and cruel, and has a great death dive from the rooftop to and through the awning of his own shop.

The implausibilities of the plot abound. Tall, strong Hayden can’t walk the alleys of Border City for ten minutes without being beaten to a pulp and robbed, but Grahame can stroll home in her night club performing ensemble through dark streets, past shady watchers (all smoking of course, it being the 1950’s – oh, the good old days when America was great) unconcerned, unhurried, and untouched. Grahame waits faithfully for Barry’s return from mysterious “business trips,” but drops him instantly when a tattered and battered Hayden staggers into town.

Who cares?

It’s dark, and smoky, and has an adequate dose of sleaze. Bullets fly, mickeys are slipped, and punches are generally effective. There’s a rooftop chase of sorts on a church and a bakery, and a hint of potential polygamy. Maybe it’s not a classic recipe for film noir, but it’s an interesting variation.

Did I like it?

Well, maybe if it had been a better Cole Porter song.

Crook Books

I seem to have turned to a life of crime.

I am immersed in old novels of mystery and detection.

My mom coulda been shocked and ashamed (think of a teary-eyed matron: “He’s a good boy…”), but she first introduced me to Hercules Poirot.

My dad woulda said “Whadda ya expect from a kid who’d rather read a book than change the oil in the car.”

Janie, the love of my life; “He’ll get over it. Next week it’ll be giraffes in outer space. He’s retired and having a fine time.”

Oh, but I’ve had a nefarious past. On stage I’ve murdered (“Deathtrap,” Dial M for Murder,” “Ceremony of Innocence”, and “Sweeney Todd”), I’ve stolen (Glengarry Glen Ross,” and “Little Foxes”), I’ve evaded taxes (“You Can’t Take It With You,”) and I’ve tried miserably to play Dracula, which was a crime unto itself.

But that was the theatre.

Now it’s the written word.

That’s powerful stuff.

I blame it on a local bookseller. He shrewdly showed me a group of criminous novels by Emile Gaboriau he had just obtained. Having read the canons of Arthur Conan Doyle and Paul Feval in the past, I was open to exploring the originator of Monsieur LeCoq. That led me back to re-read Sherlock’s adventures.

The same bookseller then lured me to a pile of beautifully maintained mystery novels published in the 1930’s by the Mystery League for cigar shops and drug stores. Some were good, most were…not so much, but they took me to the pre-WWII seaside villages, pubs, trains, pubs, church graveyards, pubs, estuaries, and pubs of England. This is not the between-the-wars England of Agatha Christie (not that there’s anything wrong with that.) These often tawdry stories have also taken me to German castles, Parisian bordellos, New Orleans unrestrained Mardi Gras bacchanals, the treacherous dressing rooms of Philadelphia department stores, and New York speakeasies. What’s not to like?

Currently, I’m hanging out with the obnoxious Philo Vance, for whom no expense need be considered…for that matter no other person on the planet need be considered. Whatta guy.

And…

I am luxuriating in the mystery novels of Edmond Crispin (real name; Robert Bruce Montgomery) and his ever-so-erudite don/detective, Gervais Fen.

Tagging along with Professor Fen, I’ve visited post-WWII pubs, pulled the blackout curtains after dark, climbed into choir lofts, chased lost Shakespearean manuscripts and toy shops that move, lugged a pig head in a sack, run for Parliament, and protested animal cruelty sitting on a branch in a tree.

It’s been delightful, but I must caution. It’s best to read Crispin with a dictionary nearby. Gervais is verbose, has a serious vocabulary (word-wise and quote-wise), and is unabashed in employing same…and it’s very worth knowing what he’s saying. It’s usually apt and funny.

What have I learned thus far in this hazardous literary journey?

When in doubt, arrest the local publican.

The Blue Carbuncle

I know it’s early, but may suggest a Christmas movie?

If, like me, you’ve seen the standard yuletide fare the requisite three dozen times, and, like me, you have a pretty good idea of what to do with a general, and like me, you’ve avoided shooting your eye out, and like me, you really dread being forced to resort to the Hallmark Channel, you could clear your egg nog noggin with this.

I’ve begun an extended journey of revisiting the Sherlock Holmes canon as interpreted by Jeremy Brett.

To quote that jolly philosopher Joe Ferrell (who at least once shared a drink with Charles Dickens); “What a joy!”

And it is.

I first met Mr. Holmes as relentlessly portrayed by Basil Rathbone as a non-glamorous leading man in a drab 1940’s overcoat (there’s a reason why Errol Flynn got the girl in THE ADVENTURES OF ROBIN HOOD), dragging a befuddled Dr. Watson around a foggy, criminous London as he skewers the flagitious verbally before he claps ‘em in irons.

Subsequent Sherlocks were just as fun to follow.

Ian Richardson was commanding and thoughtful. That Baskerville mutt gave him no paws.

Benedict Cumberbatch rode the razor rail of sanity and brilliance to bravely butt heads with that Napoleon of Crime; Professor Moriarty.

But Jeremy Brett continues to be the Holmes for me. Fiercely intelligent and fiercely impatient. Knows everything about poisons and smokes like a chimney. A master of disguise and occasionally has the fashion sense of Lebowsky in his flat. uber-sensitive to every nuance of a client’s usually unlikely conundrum and then barges out of the flat, oblivious to Mrs. Hudson’s prideful cuisine under cover on the table;

Holmes; “Come Watson! The trail is hot!”

Hudson; “Which is more than the dinner will be.”

The Brett version of Sherlock is immeasurably enhanced by the passage of time. Brett covers many cases over a number of television seasons. Thus, as we do in Doyle’s stories…and in life, we see Brett’s and Sherlock’s athletic energies wane, stamina fade, wrinkles grow, hairline weaken, and wheeze lurk a little closer to the surface. For some reason…this resonates with me and makes me feel even closer to the still fabulous consulting detective. I’m even considering starting a bee hive. IYKYK.

My favorite Jeremy Brett Sherlock is probably THE BLUE CARBUNCLE.

It’s London at Christmastime. There’s snow, visible breath, top hats, mufflers, various carriages, pubs, a pint of yer finest, and a missing blue gem with a blood-red history. How Dickensian can you get?

Wait!

“Please sir, may I have some more?”

How about geese?

I have a thing about a Christmas goose. Janie, on a whim, cooked a goose for our Christmas years ago and it has become a holiday comfort food for me ever since.

Several geese figure prominently in this story. Whose geese are they? Whence did they come? Wither did they go? Why? What did they eat? Who ate them? Who should go to jail? Whose hat is it?

A well-cooked goose answers most queries and worries.

Goose bless us every one!

Hey! I Got Tickets!

“Hey!

I got tickets for John Prine tonight. Wanna go?”

In the realm of stupid questions…

I know. I know. There are no stupid questions.

But Jesus!

“While out sailin’ on the ocean, while out sailin’ on the sea, I bumped into the Saviour and he said ‘Pardon me.’ I said, ‘Jesus, you look tired.’ And he said ‘Jesus, so do you.’” – John Prine.

It had been one of those livin’-too-near-the-abyss days. I had been berated by my customers (“This was cheaper last week”), berated by my employees (“I need the next three Saturdays off–I have a date/Why don’t you schedule more cashiers/The beer cooler is too cold to stock now”), and berated by my boss (Why is your payroll so high?). It had been a sweaty bike ride to work that morning, and promised to be a steamier ride home.

“He’s playin’ at the Idaho Round-Up tonight. First set’s at eight.”

The Idaho Round-Up was a local bar. Being local, it was about as far from Idaho as any place in Kentucky could be and the only round-up I could recall was when a bar in a nearby college town that my old band formerly played received a heads-up call from the local gendarmes to clear the room before the week-end patrol cowboys descended to check ID’s. Still, the name of the bar sounded good and was easy to pronounce and they managed to book some nice acts. Mr. Prine had played there with some regularity.

“The night club was burnin’ from the torch singer’s song and sweat was a’floodin’ her eyes. The catwalk creaked ‘neath the bartender’s feet and smoke was too heavy to rise.” – Prine.

The offer of tickets came from Richie Giallo, a wine salesman. Richie was gaunt, red-headed, tightly-strung and…okay…if you watched yourself. Have your store’s needs firmly fixed in mind before he babbled his blandishments, give him half what he asked for, chat about family matters, industry gossip, and the Reds’ chances…and then pull a reverse Columbo as he left; “Oh, by the way, here’s a few other things I need.”

I knew the dance

He knew I knew the dance.

I knew he knew I knew…

All God’s children got music.

Of course I jumped at the chance to see Mr. Prine again.

“…I feel a storm all wet and warm not ten miles away…approaching…” – Prine.

It was an evening of many unknowns.

It turned out that Richie actually had several tickets. He was sitting at a table near the stage with a couple unknown to me and a date I’d never met, all drinking undetermined quantities of something unidentifiable from which emanated slowly spinning bits of spark and tabletop-searing ash…yes, probably unhealthy.

I was sitting a couple of rows back at a table with another couple I didn’t know and a date I’d met the day before. It was a different time then.

Then Mr. Prine hit the stage and I was basking in the glow of being home with a one-man family for Thanksgiving.

“Grandpa was a carpenter, built houses, cars, and banks, chained-smoked Camel cigarettes and hammered nails in planks. He was level on the level.” – Prine.

I first met John Prine on the floor of a barren hippie-infested house near the University of Kentucky campus. There was little furniture, but there was a turntable and four long-playing vinyl discs (that’s what “lp” means for you whippersnappers out there). Three of the records were by Prine, the fourth was disc one (of four) of Wagner’s “Gotterdammerung” (one of the current residents was beginning to take German). I was not taking German, but was instantly hooked on Prine’s vocabulary.

“Onomatopoeia. I don’t wanna see ya speakin’ in a foreign tongue.” – Prine.

Then I saw him on stage for the first time in Centre College’s concert hall in Danville. It was a big, dark space. I was sitting in the upper level of the audience. Prine walked out with his guitar and a cigarette. It was just him, and a mike, and a stool with a glass of water. He bobbed and weaved and shuffled his leg in a puzzling way. He drawled and sang and giggled for over two hours about a life I never lived…and made it mine.

“…and the sky is black and still now on the hill where the angels sing. Ain’t it funny how an old broken bottle looks just like a diamond ring?” – Prine.

No dammit, it wasn’t funny. And no, I’ve never been on that particular hill. But Mr. Prine put me there…forever…and I thank him for it.

After that concert in Danville, I followed him through his records and local appearances. I saw him in concert venues and night clubs about a dozen times.

Tonight was fine as usual, but I was distracted.

My friend and host was in apparent distress. His head was drooping and his eyes were closed. His tablemates were laughing and pushing his floppiness around as if he were a Muppet until he was left sitting back in his seat, eyes still closed, and his head fully extended back with his Adam’s Apple pointing to the sky. It didn’t auger well for my friend’s well-being and I was, as usual, over-thinking the situation as to what, if anything, to do about it. Not so the other male component of our table. He swiftly and calmly moved and knelt behind my friend’s chair, straightened his head to a normal concert-watching position by cradling it in his arms. I followed him and assumed a similar posture on the other side of my friend’s chair. The other jolly’s at the table were at first dismayed by our intrusion, but still barely able to figure the odds, ultimately sat subdued and the six of us finished the performance in our new positions.

“That’s the way that the world goes ‘round. Yer up one day and then yer down. It’s a happy enchilada and you think yer gonna drown…” – Prine…sorta.

When the show was finished, I learned that my tablemate was an EMT. Under his instruction, we fastened my friend to his chair and conveyed him to the car. We drove him home, jimmied a large window on his porch, secured him to one of his own kitchen chairs and achieved putting him safely to bed. The EMT stayed with him through the night.

My friend was OK. I never saw the EMT, his date, my date, or any of the other participants again.

“I been brought down to zero, brought up and put back there. I sat on the park bench, kissed the girl with the black hair and my head hollered out to my heart; ‘Better look out below!’” –Prine.

I woulda liked to have helped more.

I woulda liked to have helped better.

But I lacked the knowledge and the skill.

“Before I took on anything too big, I’d wanna be sure I had a purty good cut man in my corner.” – John Steinbeck.

One Day in 1988

Today was an off-and-on gray day in Lexington. It was very warm. We’ve had flashes of heavy rains this summer. Thus, everything is lush green. The angel flower we were given last year survived the winter, but started the spring as a desolate flat spot. Today, it is an exuberant member of our landscape jungle family covering about sixty square feet and putting out six to ten huge blooms per night. The fern explosion at rear corner of our garage is still ebullient this second week in August.

It wasn’t always so.

35 years ago today, we had had no rain for two months. The grass was crunchy and brown. It was 94 degrees in the blistering sun…but the house we had been living in for about eight weeks was full and happy.

Janie and Roger were getting married.

Chuck and Julieanne Pogue had come in from Hollywood to vacuum the new house for the occasion. Fred Foster was cooking for the crowd. Dick and Cel Pardy were holding court and flinging bird seed. Steve Caller was scanning and critiquing the bookshelves. Janie’s mom offered salient advice on the inherited landscaping. Jim Rodgers pronounced the pairing perfect. Laughter and love reigned

Jim, as usual, was right.

Janie and I had been pointed towards each other two years before by our guardian matchmaker, Robin Dickerson.

She, as usual, was right.

35 years have only been the best.

How can they possibly get better?

I can’t wait to see.

Ask Me About My Shirt

“…conversational silences, even when motivated by the mere necessity of drawing breath, must out of ordinary courtesy be bridged somehow.” — Bruce Montgomery.

“Ask me about my shirt.”

Out of nowhere and pertinent to nothing that had been said before, that was Queezer’s contribution to the afternoon’s tale-spinning.

I suppose it would qualify as a moderately bewildering example of strategic chitchat…maybe not in normal company, but this was a group of theatre types. Conversational gambits gambol freely and foolishly in such flocks.

There had been the slightest of pauses in the last boozy speculation of Barrel’s wistful reminiscence of a non-existent girls softball team in the Montana of his youth; a softball dream team immediately and rudely dubbed; “The Humping Heifers of Montana” by the mis-enlightened listeners of this day. Those listeners and their raconteur were only briefly and only slightly embarrassed by their own crass-itude, and that embarrassment was overwhelmed by the self-pleased, wheezy guffaws from this gaggle of geezers. Said guffaws depleted the reservoir of oxygen in the geezers, thus creating a gap in the chinwag.

This was the gap Queezer sought to bridge with his sartorial request; “Ask me about my shirt.”

He’d been politely waiting, enduring, besides the admiration for the softball team, the afternoon’s other discussions ranging from frank reverence for the scat singing of Cyrill Aimeé, the value of singing lessons for young actors, the remarkable competence of past local newspaper reviewers who had said nice things about us, incredulity about the amazing odds against our dogs being the best good dogs on the planet which clearly they were, the stark drop in attendance and support for live theatre, and the profound beneficial effect of the new pitch clock in major league baseball.

Burning issues all certainly, but lacking in focus and priority.

Queezer filled the lack and the gap; “Ask me about my shirt.”

Breath and drinks replenished, wary eyes queried sideways. Was this a trick question? Like; “How many fingers am I holding up?” or “How many colors of blue make up the sky?”

Junesboy finally sighed and took one for the team; “Where’d ya get that shirt?”

Queezer proceeded to rattle off the provenance of his very nice camp garment to an audience that in the soporific summer sun soon resembled William Powell’s post-prandial cigar and brandy old boys nodding and snoring in their New Year’s tuxedos in AFTER THE THIN MAN.

“I ordered it from L. L. Bean. It’s the shirt Roman Polanski wore when he sliced Jake’s nose in CHINATOWN. He got it from Lebowski’s laundry basket. It was one of the bowling shirts in scene three. Before that it was worn by Elliot Gould in the Japan golfing scene in M.A.S.H. Gould borrowed it from Hunter Thompson’s Samoan lawyer – that’s where the beer stains came from. Isn’t it great?”

This went on for a good 20 minutes or so.

Then I woke up from my doze.

But it is a real nice shirt and I really like camp shirts and Hawaiian shirts, whether they’re Tommy Bahama or off the $5.99 spinning wire rack down at Walgreen’s. One of the glories (and there are many) of retirement and hermitude is the possibility of wearing outrageous, voluminous shirts every day. After 30+ years of a coat-and-tie career, it’s a possibility I strive to realize each morning.

My favorite shirt was a flimsy camp shirt I bought in San Francisco’s Chinatown. It was made in Japan, cost $8.99 and featured not one, not two, but three full dragons in livid color set against a cream background.

It was a quality piece.

Mel Gibson wore it while prowling the treacherous streets of Jakarta with Linda Hunt in THE YEAR OF LIVING DANGEROUSLY. Before that, John Saxon wore it while getting his ass kicked by Bruce Lee in ENTER THE DRAGON. He borrowed it from Sean Connery who wore it while sipping tea with Tetsuro Tanba before jumping in the bath with Akiko Wakabashi in YOU ONLY LIVE TWICE.

I wore it in “The Fifth of July,” directed by my friend Barrel on the Guignol Theatre stage.

It’s a helluva shirt.

I’m glad you asked about it.

Hey!

Wake up!!