Tag Archives: John Prine

Hey! I Got Tickets!

It woulda been in the late 1970’s.

A late weekday afternoon phone call at work.

“Hey! I got tickets for John Prine tonight. Wanna go?”

In the realm of stupid questions…

I know. I know. There are no stupid questions.

But Jesus!

“While out sailin’ on the ocean, while out sailin’ on the sea, I bumped into the Saviour and he said ‘Pardon me.’ I said, ‘Jesus, you look tired.’ And he said ‘Jesus, so do you.’” – John Prine.

It had been one of those livin’-too-near-the-abyss days. I had been berated by my customers (“This was cheaper last week”), berated by my employees (“I need the next three Saturdays off–I have a date/Why don’t you schedule more cashiers/The beer cooler is too cold to stock now”), and berated by my boss (Why is your payroll so high?). It had been a sweaty bike ride to work that morning, and promised to be a steamier ride home.

“He’s playin’ at the Idaho Round-Up tonight. First set’s at eight.”

The Idaho Round-Up was a local Lexington bar. It was about as far from Idaho as any place in Kentucky could be and the only “round-up” I could recall was when I was singing in a band a few years before in a bar in a nearby college town. The bar owner received a heads-up call from the local gendarmes to clear the room before the week-end patrol descended to check ID’s. As expected, they found none, and soon the crowd returned from the sidewalk across the street and no one was arrested. I, being the whitest and worst soul-singer in history probably shoulda been arrested, but there were still two hours to go in the gig and the bar owner still had drinks to sell. Pretty lame for a round-up…

Still, Idaho Round-Up sounded cowboyish and was easy to pronounce, even for the well-lubricated, and they managed to book some nice acts. Mr. Prine had played there with some regularity.

“The night club was burnin’ from the torch singer’s song and sweat was a’floodin’ her eyes. The catwalk creaked ‘neath the bartender’s feet and smoke was too heavy to rise.” – Prine.

The offer of tickets came from Richie Giallo, a wine salesman. I liked Richie. He was gaunt, red-headed, tightly-strung and…okay…if you watched yourself. When dealing with Richie, you needed to keep your store’s needs firmly fixed in mind before he babbled his blandishments. Then, give him half what he asked for, chat a bit about family matters, industry gossip, and the Reds’ chances. Then pull a reverse Columbo as he left; “Oh, by the way, here’s a few other things I need.”

I knew the dance.

He knew I knew the dance.

I knew he knew I knew…

All God’s children got music.

Of course I jumped at the chance to see Mr. Prine again.

“…I feel a storm all wet and warm not ten miles away…approaching…” – Prine.

It was an evening of many unknowns.

It turned out that Richie actually had several tickets. He was sitting at a table near the stage with a couple unknown to me and a date I’d never met, all drinking undetermined quantities of something unidentifiable from which emanated slowly spinning bits of spark and tabletop-searing ash…yes…probably unhealthy.

I was sitting a couple of rows back at a table with another couple I didn’t know and a date I’d met the day before. It was a different time then.

Then Mr. Prine hit the stage and I was basking in a glow of being home with a one-man family for Thanksgiving.

“Grandpa was a carpenter, built houses, cars, and banks, chained-smoked Camel cigarettes and hammered nails in planks. He was level on the level.” – Prine.

I first “met” John Prine on the floor of a barren, hippie-and-flea-infested house near the University of Kentucky campus. There was little furniture, but there was a turntable and four long-playing vinyl discs (that’s what “lp” means for you whippersnappers out there). Three of the records were by Prine, the fourth was disc one (of four) of Wagner’s “Gotterdammerung” (one of the current residents was beginning to take German). I was not taking German. I spun the Prine discs, first heard “Muhlenberg County” and was instantly hooked on Prine’s vocabulary.

“Onomatopoeia. I don’t wanna see ya speakin’ in a foreign tongue.” – Prine.

Then I saw him on stage for the first time in Centre College’s concert hall in Danville. It was a big, dark space. I was sitting in the upper level of the audience. Prine walked out with his guitar and a cigarette. It was just him, and a mike, and a wooden stool with a glass of water. He bobbed and weaved and shuffled his leg in a puzzling way. He drawled and sang and giggled for over two hours about a life I never lived…and made it mine.

“…and the sky is black and still now on the hill where the angels sing. Ain’t it funny how an old broken bottle looks just like a diamond ring?” – Prine.

No dammit, it wasn’t funny. And no, I’ve never been on that particular hill. But Mr. Prine put me there…forever…and I thank him for it.

After that concert in Danville, I followed him through his records and local appearances. I saw him in concert venues and night clubs about a dozen times.

Tonight he was jes’ fine as usual, but I was distracted.

My friend and host was in apparent distress. His head was drooping and his eyes were closed. His tablemates were laughing and pushing his floppiness around as if he were a Muppet until he was left sitting back in his seat, eyes still closed, and his head fully extended back with his Adam’s Apple pointing to the sky. It didn’t auger well for my friend’s well-being and I was, as usual, over-thinking the situation as to what, if anything, to do about it. Not so the other male component of our table. He swiftly and calmly moved and knelt behind my friend’s chair, straightened his head to a normal concert-watching position by cradling it in his arms. I followed him and assumed a similar posture on the other side of my friend’s chair. The other jolly’s at the table were at first dismayed by our intrusion, but still barely coherent enough to figure the odds of resisting. They ultimately sat subdued and the six of us finished the performance in our new positions.

“That’s the way that the world goes ‘round. Yer up one day and then yer down. It’s a happy enchilada and you think yer gonna drown…” – Prine…interpreted by a well-lubricated fan.

When the show was finished, I learned that my tablemate was an EMT. Under his instruction, we fastened my friend to his chair and conveyed him to the car. We drove him home, jimmied a large window on his porch, secured him to one of his own kitchen chairs and achieved putting him safely to bed. The EMT stayed with him through the night.

My friend was OK.

I never saw the EMT, his date, my date, or any of the other participants again…and that’s OK too, I guess. It was a different time then.

“I been brought down to zero, brought up and put back there. I sat on the park bench, kissed the girl with the black hair and my head hollered out to my heart; ‘Better look out below!’” –Prine.

I woulda liked to have helped more.

I woulda liked to have helped better.

But I lacked the knowledge and the skill.

“Before I took on anything too big, I’d wanna be sure I had a purty good cut man in my corner.” – John Steinbeck.

“I have always relied on the kindness of strangers” – Tennessee Williams.

Me too.

“Cathedral Bells Kept Time”

“Cathedral Bells Kept Time”

Nanci Griffith made that observation in her song/reminiscence; “Three Flights Up”.

I lived it…

…for a while.

I’m an unrepentant…nay……make that a gleeful old hippie. If you don’t know that term…look it up…please!

In my college years and early twenties my friends and I generally lacked;

  • Money
  • Computers, laptops, cell phones, fitbits, I-pads or pods, thumb drives…
  • More than three TV channels
  • Multi-tasking urges
  • Regular haircuts
  • Pizza delivery (don’t laugh at that, gasp – it’s basic human right in my book)

It was a nightmarish time; a time to survive and be made stronger by surviving.

<<  snort!  >>

We didn’t have reality shows. We had reality.

We didn’t have social media. We had each other.

To quote Ms. Griffith’s song again;

“There were blinking pictures

Of how we’d sit and chat.

Some of them are scattered

Some are shattered in my mind.”

I remember many all-night random congregations over kitchen tables in shabby apartments. Discussions that originated at that evening’s rehearsal or that evening’s session at the Paddock Club Bar continued after hours, sometimes till dawn.

Bob Dylan nailed it in his “Dream”.

“I dreamed a dream that made me sad,

Concerning myself and the first few friends I had.

With half-damp eyes I stared into the room

Where my friends and I spent many an afternoon,

Where we together weathered many a storm,

Laughin’ and singin’ till the early hours of morn.”

Earnest discussions, at times lubricated by beer and wine and carry-out burgers from Tolly-Ho.

We solved everything and solved nothing.

We knew everything and knew…the same nothing.

“As easy as it was to tell black from white,

It was all that easy to tell wrong from right.”

We basked in the surety of our opinions about Vietnam, the draft, Artaud, Edgar Rice Burroughs, John Prine, Richard Nixon, Malcolm X, Ginger or Mary Ann; every burning issue of the day.

We were most sure of each other.

We listened to each other. We didn’t check our phones or email. We didn’t channel-surf. We didn’t update our Facebook page. We didn’t fact-check each other’s lies and stories. We listened and were entertained and, I think, mostly enlightened by each other’s presence.

“Cathedral bells kept time.”

Yes.

We were rarely in a hurry to part.

Once a year a small group of people representing almost 400 years of friendship gather with Janie and me at the house, ostensibly to celebrate Halloween, but really to celebrate each other. Dinner’s great, Janie’s Halloween decorations are always over the top, and the conversations are usually suspended (not ended, mind you…suspended) by the chime of Christ the King Church ringing 2:30am (perhaps I drift happily and deliberately from verisimilitude here, but you get the idea).

We solve everything and we solve nothing.

We still know everything and we know…less.

Checking in once more with Mr. Dylan…

“I wish, I wish, I wish in vain

That we could sit simply in that room again

Ten-thousand dollars at the drop of a hat

I’d give it up gladly if our lives could be like that.”

These nights…

…it is.

As nice as it is…I’m glad I don’t have to fork over the $10,000 though.

Cabana Daydreamin’

It looked like a dive.

It wanted to look like a dive.

Seedy but safe was its aspiration.

Had it not been in a city 500+ miles from any ocean, perhaps sailors coulda been part of the decor.

…or even Will Eisner’s Spirit…

But what kind of dive featured brunch? With Eggs Nova Scotia and Mimosa’s – good ones (Moët and fresh-squeezed)?

And there was the jukebox, the old soda shop kind with a small unit at every table, with tabs on the bottom to flip that displayed the 45’s available for play – hit sides and “B” sides.

And the mahogany walls…well…the heavily and red-ly varnished tongue-and-groove looked sorta like mahogany…if you wanted it to and you squinted a bit. That pressed metal ceiling however, would’ve been expensive to fake.

Maybe it was a dive of sorts, but it was a dive with a lively clientele. On any given night, you might see a local oil-painting legend and his goat, a gentleman from a fine thoroughbred-breeding family in the garb of a drive-thru carhop (fully attired in roller-skates and angel wings), narcotics undercover agents that everyone knew and flirted with, lawyers, dentists, judges, teachers, preachers… and if someone played Artie Shaw’s version of “Begin the Beguine” on the jukebox, it would be a deadly race to see who among this population would be the first to leap (or crawl depending on the age of the contender or the number of drinks consumed) to the top of the bar to prove that America’s got talent years before television took over that function.

It was a real good time.

It was the Cabana Club.

At this moment though, it was a slow time at the Cabana, a sluggish couple of hours between lunch and the dinner/drinking crowd. There was one couple at a table trying to figure out what to say next to each other that would be effective but not too direct. (The Amazing Rhythm Aces crooned on the jukebox). There were a few barflies sagging over their second or third time-killers (depending on how much soul-cipherin’ was required this afternoon). Morey was in the kitchen contemplating dessert while scribbling the evening’s menu specials. Paulie was holding court.

Paulie was the waiter/bartender/maître d/dishwasher/cook of the Cabana. Essentially, anything the owners (Joe and John) didn’t want to do that day became Paulie’s lookout.

But it was a slow time just now, so Paulie was perched on a bar stool overlooking the room and it seemed to be an excellent time to read the just-delivered afternoon paper……out loud.

Paulie was a local actor – probably the best the city had to offer. Consistent acting work was scarce in town (paying or non-paying), while the pining for an audience was in plentiful supply. Paulie surveyed his domain and determined that bedazzled and befuddled low-rent rendezvous wannabes and blurry midday philosophers would suffice as an audience. Joe and John had fled in the heat of the afternoon so there were no sober, adult voices to stop him.

“Ha!”

Paulie’s “Ha!” could cut through the thickest haze, be it composed of alcohol or hormones.

But just in case…

“Ha!” he re-barked.

“Check out this play review by our local Frank Rich.

‘Of the actors involved in Piecework Theatre’s latest effort; “Belfast or Bust”, the least said the better with the exception of a seductive performance by Stella Nolan. Ms. Nolan purrs her dialect with heat, and commands the stage like a jungle princess after a warm rain.’

“What the Christ does that even mean? I wish he would just fuck her and get it over with!”

Paulie held for applause.

It came in the form of slightly belated, ragged laughter. John Prine describes moments like this accurately; “Well, ya know, she still laughs with me, but she waits just a second too long.”

Paulie thought it might be best to refrain from holding out for an encore. Besides, just as he was delivering his punchline on the review, he’d felt something; a bend in the room, a quiver in the afternoon light, a sussuration on the jukebox (Percy Sledge offering some painful, keening psychoanalysis of “When a Man Loves a Woman”)…something…or nothing.

Morey popped up at the kitchen window. He fluttered his eyes and waved his finger in the air. Paulie went to him.

Morey stuttered; “Did you feel that? I think the boys are back in town!”

(Oh, yes-s-s-s. To be perhaps continued.)