It’s strange what can trigger a memory.
I have heard my friend and adopted faux-daughter Karyn Czar asking the first reporter’s question at the governor’s press conferences. I’m always proud.
I first met Karyn on stage in a play. Recalling that play, and feeling today’s sun, and the end of the baseball lockout, triggered another happy flashback.
Today now looks to be the opening day for this year’s baseball spring training…at last. It was beginning to look like there would be no spring training and perhaps no season at all thanks to the oligarchs of baseball (the owners AND the players). My friend Sidney Shaw loved to go to the Lexington Legends’ games. He would not have been pleased with the waste of a fine sunny day with no baseball.
I first met Sidney in the same play as I met Karyn.
It was the summer of 1994. It was a production of Measure for Measure in the Lexington Shakespeare Festival when it was still in Woodland Park…and still doing Shakespeare.
I remember admiring Sidney’s ease with the language and the wisdom with which he infused the character he played. I remember being delighted the first night in rehearsal when his character cast aside that wisdom for outraged passion. It made the dramatic moment mean something more…more human. Working with Shakespeare’s foreign-to-us cadences and vocabulary can make an actor forget the humanity of the situations being depicted.
Sidney didn’t forget.
This was a nice production with a bunch of new (to me) actors, most of whom I’ve had the good fortune to work with multiple times over the ensuing years. This group of actors has gone on to mean much to Lexington’s theatre audiences; Karyn Czar, Jeff Sherr, Donna Ison, Eric Johnson, Laurie Genet Preston, Joe Gatton, Glenn Thompson, Spencer Christiansen, Holly Hazelwood, and others.
Ave Lawyer directed. It was my first time to work with Ave and certainly not my last. I’ve moved furniture and learned lines for her in a number of shows since then. It’s always a real nice clambake.
Thus it was with Sidney. He and I shared the stage in four or five productions. He was always good company and I learned something from him in every show.
However, my favorite theatre experience with Sidney was as an audience member for his performance in Death of a Salesman. I watched my friend Sidney disappear into Willie Loman. The growing desperation and evaporating control of Willie Loman was so alien to the Sidney Shaw I knew. It was a remarkable stretch for an actor and Sidney handled it adroitly and broke my heart.
I miss Sidney.
June's Boy 