Chapter Two – Through the Booking Glass

This is Chapter Two – a continuation of an entry entitled; It Was a Close Day. You might want to scroll back and read it first. -RLL

Benjamin Andante wobbled a bit, stabilized himself, and visually assessed the shop; not an easy thing to do just now. The light was strange. Romantics would call it sepia-toned but they’d be selling it short. It was golden. Every spine of every book was a lighter or darker shade of gold. Every drifting mote of dust was golden and there were a blue million of those.

“S’pose that would technically be a gold million. Blue million…wonder where that comes from?” He made a note (for real, not mental) to look it up. He took the note, pulled a piece of Scotch tape, and stuck the note on the shelf nearest the book shelf marked “Economics”.

“Scotch tape”…why “Scotch”? Another note was duly made and attached to the shelf marked “Gaelic”.

He shuffled over to the front window. The outside heat radiated through the letters on the glass;

“pohS .T .I .A .B regooC & etnadnA”

And under that;





He noticed the fluttering of paper across the street. The newspaper flickered in the hands of a more-than-amply-haired young man, sitting on his butt, leaning back on the front of the chili parlor, gaping at the bookstore like he’d just seen…what?

…A light on the road to Damascus?

…A close encounter?

…His mama kissing Santa Claus?

“Well…” Ben thought; “Close, but no cigar.”

Then it hit him;


From the back of the shop came a familiar, and uncomfortable “plonk”, followed by two more; “plonk, plonk”, and a growl; “This bastard’s gonna be a bitch to tune.”

“Sam, you just used ‘bastard’ and ‘bitch’ in the same sentence referring to the same object.”

“Well, I guess that’s just the kinda goddam’ poet I am.” Sam Cooger replied from the depths of the alcove marked “Counter-Culture Studies”. Four pristine copies of “Big Table” literary digest sacrificed their pristine-ness in a suicidal plunge to the floor in protest of the banjo assault.

The banjo chirped obliviously; “plonk-PLONK plonka plonk” in a key unfamiliar and just as uncomfortable to Schoenberg.


“Sam, we may have a problem. There’s a kid across the street. I think he may have seen us come home.”

“Do I need to kill the son of a bitch?”

“No…not yet……but he’s comin’ this way.”


(perhaps to be, yet again, continued)

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