Category Archives: Uncategorized

Play-Off Ghosts

In my pre-teen years, in my pre-driving years, I listened to Reds baseball devotedly, especially late night games from Los Angeles and San Francisco. I would tuck my cigarette-sized transistor radio beneath my pillow and listen to Waite Hoyt describing the exploits of Frank Robinson, Vada Pinson, Bob Purkey, and Jim O’Toole.

There were only sixteen teams then, eight in each league, no divisions, and no play-offs. If you came in first in your league, you went straight to the World Series. Otherwise, you went straight to your winter part-time job until it was time for the pitchers and catchers to report for spring training. Second place got you nuthin’.

Thus, these early 60’s late night games from the coast meant far less to the baseball world in general than to a burr-headed North Lexington nerd from Bryan Station Junior High. After all, the Reds and the Dodgers could never play each other in the post-season, they were in the same league.

But listen I did…and pretty much stayed awake until the end of the games…and spent my allowance on new batteries the next day.

But now…

…starting at 9:00pm this Tuesday…

…late night baseball from Los Angeles…

…that means something.

Win, and you move straight on, perhaps eventually to the World Series.

Lose, and you go straight to your mansion on a golf course and spend the winter hitting a smaller ball that doesn’t avoid you…usually.

The stakes are serious, and I’ll be listening every night…as long as I can stay awake…hoping the ghosts of Vada, Frank, Waite, Bob, and Jim will pull us through now that it really counts.

Janie just shakes her head and wonders when she married a 12-year-old.

Japanese Noir…Kurosawa-Style

Akira Kurosawa is perhaps best known for his mighty Shakespearean films; RAN (1985), THE HIDDEN FORTRESS (1958), and THRONE OF BLOOD (1957). His Samurai Trilogy was exciting. His SEVEN SAMURAI (1954) and YOJIMBO (1961) inspired a whole genre of European westerns, plus a little flick called STAR WARS (1974). His RASHOMON (1950) is a masterpiece of storytelling.

But that storytelling skill is also happily evident in his less grandiose crime dramas; STRAY DOG (1949), LOWER DEPTHS (1957), and tonight’s HIGH AND LOW (1963).

In HIGH AND LOW, we see a Yokohama in the swirl of Japan’s amazing recovery from WWII. It’s not the Japan of Lafcadio Hearn, Shinto temples, and tea ceremonies. This is a roiling time of factories, trains, smokestacks, efficiencies, and cutthroat board battles. It is a time to make fortunes…for yourself……or for others. The income gap is wide and widening…sound like anywhere else you’re living in today?

A brutal kidnapping occurs.

Toshiro Mifune is pathetic as he agonizes over whether to destroy his privileged life to possibly save the life of the child.

Tatsuya Nakadai as Chief Detective Tokura and his sweating team of investigators, salvage and assemble clues leading through murder and drug-infested dens that will never be documented in haiku, till they inevitably run the kidnapper to capture.

 Tsutomu Yamazaki as the kidnapper confronts Mifune;

“I’m not interested in self-analysis. I do know my room was so cold in winter and so hot in summer I couldn’t sleep. Your house looked like heaven, high up there. That’s how I began to hate you.”

Allow me to paraphrase Thornton Wilder here;

The difference between enough money and not enough money is really quite small…but it can change the world. The difference between enough money and a whole lot of money is also quite small…but it too…can change the world.

It crept into my Hearn/Shinto/tea/haiku mind as I watched the film, that perhaps we should consider Thornton Wilder and the kidnapper the next time we condescend to ask presidential candidates about raising the minimum wage.

On a lighter note, I was arrested by a cameo performance by Ikio Sawamura as an expert in the sound of various trolleys in Yokohama. Mr. Sawamura had a long film career in a number of Kurosawa’s films, and also appeared in a number of films that made a serious cultural difference in the world of a wide-eyed young film-goer in Kentucky;

1963-KING KING VS GODZILLA (witch doctor) and ATRAGON (taxi driver)

1964-MOTHRA VS GODZILLA (priest) and GHIDORAH, THE THREE-HEADED MONSTER (honest fisherman)

1965-FRANKENSTEIN VS BARAGON (man walking dog)

1966-THE WAR OF THE GARGANTUAS (fisherman #1) and EBIRAH, HORROR OF THE DEEP (elderly slave)

1967-KING KONG ESCAPES (Mondo islander)

1968-DESTROY ALL MONSTERS (old farmer)

1969-ALL MONSTERS ATTACK (bartender)

1975-TERROR OF MECHOGODZILLA (silent butler)

Whatta resumé!

The Wild Kingdom?

Tonight…

Ah, tonight.

Sitting out in the golden sunset, under a quarter moon in an eggshell sky…a sky worth way more than Emmylou Harris’s ten cent evaluation.

Sitting surrounded by life.

The trumpet vine hedge undulates, a dark and lush shelter fifteen feet in the air. The vines are 20+ years old, contained and restrained, but as yet undefeated. They still promote a network of volunteers 30-40 feet in every direction that have to be corralled every day.

The bank of knockout roses are rolling into their second expression of the season.

The daylilies are roaring their various résumés as they clamor for best-of-the-year honors (the Nefertiti’s are currently leading, but the Bela Lugosi’s have yet to make their play).

Chloe, the Wonder Pup and I sit on the worn bricks of the tiny black lagoon. We’re waiting for Janie to return from her weekly knitting bee at Chez Spence. The frogs occasionally break the water’s surface to see if we’ve gone inside yet. They’re eager to completely emerge and begin their nightly serenade.

We are snugly enclosed by ramparts of holly and bamboo and exuberant ferns.

And now…

…lightnin’ bugs begin their twilight gavotte…

…a pas de drift…

…a doh-see glow.

Chloe asks if I can see Janie yet (insert sigh).

The light finally fades and the pup and I relent and go indoors to give the frogs their chance.

I’m in the library for two minutes and the croaking chorale commences. It’s beautiful, but the Lexington Singers have nothing to fear from this rasping and barking.

And to finally give the noble dog her answer; “No, Chloe, I don’t see her yet.”

June 12, 2024

Rule #51

I have binging of late on reruns of NCIS.

I can’t explain or defend the habit. I blissfully glide along as the team “grabs their gear” to investigate each implausible case. I mentally note who makes the elevator walk to open each episode. I participate by precipitately guessing wrong on the solution to every problem. I blindly delight in the grade school badinage between these defenders of democracy as they struggle to thwart the myriad smart bad guys of the world.

Mostly though…

…I am intrigued by Jethro Gibbs’ striving to apply a numbered set of rules to the chaos he and his team seem to face daily.

These are rules he has mostly assembled from the wisdom of his dad and his first wife.

Mostly…

One rule comes late in the run of the show and it derives from Gibbs’ personal adult experience.

It’s Rule #51:

Sometimes you’re wrong.

It took me about 28 years to understand that rule. Soon after this dour epiphany, I recognized with some trepidation that it had taken me almost 30 years to reach the point where I believed I was making six of ten decisions correctly. That was humbling. Even more humbling was suspecting I would never achieve a seven out of ten success ratio. 40+ years later have confirmed my suspicions.

Luckily, one of the correct decisions was to surround myself with other people who also make six out ten decisions correctly and strive to get out of their way. Thus, I was mostly protected from many of my foolish moments.

Mostly…but not always…

Many…but not all…

Rule #51:

Sometimes you’re wrong.

As I age, I find when I acknowledge this rule and try to be righter, the world is generally a very generous place and space is made for me to do so.

I humbly suggest that members of congress might also find this to be useful…and right.

A Feast for the Eyes

Movie night!

Flicks a la Francais.

It’s been a week of French cinema pour moi.

Janie and I have practically forsaken physically going to the movies. Since the spawning of covid, I don’t think we’ve been in a movie theater more than five or six times. Why should we? We have a big screen, various fire-sticks and subscriptions, a critter, and a convenient parking place at home. Door-Dash and/or the fridge are near to hand.

But a phone call from a wise friend who understands real priorities in life pointed out that Juliette Binoche continues to be fine to observe on a big screen. A date night at the Kentucky Theater ensued.

THE TASTE OF THINGS (2023) is delicious to watch. It’s fun to see Madame Binoche cooking again. I first saw her in Krzysztof Kieslowski’s 1993 mesmerizing film; THREE COLORS: BLUE, and then his earlier THE UNBEARABLE LIGHTNESS OF BEING (1988). A couple of years later I won a huge lobby poster of BLUE on eBay. I still haven’t found a space of suitable vastness to hang it, but I harbor hopes…perhaps a new wing to a house already too roomy for two dreamers. She cooked beautifully for Johnny Depp, Judy Dench, and Alfred Molina in CHOCOLAT (2000). Hell, I even thought she was the best thing in the 2014 GODZILLA – better than the big guy himself.

And THE TASTE OF THINGS is a nice film itself, but like some of Akira Kurusawa’s flicks, perhaps a battle too long. The ballet of the preparation of the opening feast lingered on every step in the kitchen.

Lingered…

Every step…….

I fear I had enough time to tally the pots and pans and utensils with the weary eyes of one whose main contribution in our kitchen is the post-prandial clean-up.

However, if you’re a member of the seemingly burgeoning crowd of people who take pictures of their food, this is the film for you.

I must fess up: I have been charmed but bewildered by this phenomenon.

I wonder…

The glory of a memorable restaurant meal is a recipe with multiple ingredients.

The food is one ingredient, but only one.

The setting is another. Is the room dramatic? Cozy? Huge? Is there a view of the ocean…mountain…desert…skyline…rings of Saturn? Is it on the roof…on the street…by the fireplace…in the kitchen?

Is the company good?

I have had memorable restaurant experiences.

  • Calamari and six vintage ports overlooking the Bay Bridge in San Francisco…
  • A Nighthawk Special in a cavern-like Columbia Steak House at 2am on Limestone Street.
  • Chateau Ausone 1978 in Yvette Wintergarden’s in Chicago.
  • Hot cross buns and café au lait in the snug of the local at Hever Castle on a grey morning.
  • Eggs Nova Scotia in a booth with a wall juke box at the Bungalow across the street from the Nu-Way Boot Shop on Mill Street.
  • Huevos Rancheros in in a sunny diner in Salinas.
  • A Caesar Salad lovingly assembled tableside in Denver.
  • Hot dogs off the right field line at Wrigley Field on a sunny Saturday afternoon. (Phillies lost).
  • Shrimp and grits on an overturned cable spool table, watching a shrimp boat unloading its resupplies at the neighboring dock in Charleston.
  • Green Chile Won Tons at the Bristol in Louisville after a stunning performance of “Child Byron” at Actors Theatre.
  • Coq au Vin at Café Chantant before slipping downstairs to Le Cabaret on Vine Street.

The food, the time, the place, and most of all the company, is what made these experiences memorable. I wanted to capture each of them forever, recreate the moments for myself, and be able to share them with others. Perhaps that’s why we take our meal photos.

No photo is up to such a task, but the urge to share and relive the good stuff is nothing but admirable.

Terror in the Jungle

Well…

…maybe more like “Frisson in the Foliage”…

Movie night!

Picture this.

A divorced father puts his 6-year-old son and his stuffed tiger (I’m already confusing this with Calvin and Hobbs – this can’t auger well) alone on a plane bound for Brazil and bound for the boy’s mother. (You don’t need to keep track of the personnel here, this is the last we hear of the mom from Ipanema.)

The dutiful dad then heads for the airport bar – I kid you not. Maybe instead of “Terror in the Jungle,” it should be; “Mai-Tai’s in the Tiki Bar.”

The plane is populated (infested?) with a tawdry, middle-aged. purple-puffy-shirt-wearing, Beatles knock-off band (oh yes, complete with mop-top wigs in shades of color God never intended).

Airplane band revisiting life choices

They play one of their “hits” in the back of the airplane cabin (oh yes, with full drum kit) as the plane crashes on the Amazon and everyone is eaten by crocodiles except the kid. If I’m lyin’, I’m dyin’.

The child drifts down the river in a coffin (it’s too complicated to go into right now) until he’s captured by descendants of the Incas who have the same crummy wigs as the doomed band on the plane. They also wear those same feathered Indian headdresses I used buy in the gift shop at the old Bird and Animal Forest on Highway 27 when I was a kid. The tribe decides first to dance on stone steps to entertain the child (frankly, the best part of the show) and then to sacrifice him to their god. Talk about yer mood swings!

Meanwhile, dutiful dad has sobered up, heard about the crash, and races grimly by plane to Brazil, then by hotel shuttle to check in (I KID YOU NOT), then to a church, and then to a riverside mission in his coat and tie to rescue his son. Will he make it in time?

This is truly one of the worst films I’ve ever seen.

Oh yeah, there’s piranhas, boa constrictors, jaguars, and quicksand too. The only vital ingredient missing was an inexplicable yeti.

I loved it.

Sewing the Sea to the Sky

It was a warm, salty, sunny day in the June of 1984, on the Outer Banks of North Carolina.

I lived then, and live now in Lexington, Kentucky, the largest US city with no major water element…or so I’ve been told. We have no ocean, no lake, no river. We do have the Town Branch of the Elkhorn Creek that runs through our downtown, or at least it formerly did. We (“we” being folks before my time) paved over the creek. Thus, it now runs under our downtown.

I’ve never seen it.

But I suspect many of us Lexingtonians, like divining rods, know it’s there, and I think we harbor a longing for it. A few years ago, an enterprising local artist ran an audio cable through a sidewalk that lies between a 20-story downtown bank building and its parking structure to a microphone near the underground waterway. Hidden speakers whispered the sounds of running water to the strollers on their way to make their mortgage payments. Not exactly ocean surf…more like trickles of desperation.

I love where I live, but I do long for big water…and a major league baseball team. It’s all that stands between Lexington and perfection in my book.

The first time I saw an ocean I was on a winery/vineyard business trip to California. One late afternoon, my colleagues and I drove our rental gondola of a car due west until our path ended on two tire tracks on the grass. We walked to the cliff overlooking the biggest water I’d ever seen.

A couple of days earlier, I had made my first hajj to City Lights Bookstore in San Francisco and now I was standing at the physical and logical end of Kerouac’s road. I was at the end of the western world, basking in that western light, gazing across to where nothing was visible, nothing was promised, nothing was assured, and nothing was finished. The possibilities of Diebenkorn’s and Seurat’s blank canvases were immediate and possible. What was on the other side? Stoppard advises; “I wouldn’t think about it if I were you, you’d only get depressed.” Tolkien is more hopeful, but just as final, and since I did not want to visit those Grey Havens while still in my 20’s, I reluctantly pulled myself away…changed more than a bit, to a more pedestrian search for Dr. David Bruce’s winery and some colossal chardonnays.

I have been mesmerized by big water ever since. Key West, Clearwater, Biloxi, New Orleans, Savannah, Charleston, and the Outer Banks. Waves and tides, sunsets and sunrises, lakes, bays, rivers, marshes, herons, dolphins, pelicans…

Pelicans…

…ah yes-s-s-s, pelicans…

…back to 1984.

It had already been a long, full day and we still had a ways to go…but that was alright. By this time, I was pretty warm and salty myself, and still fairly sunny.

The Outer Banks are big water writ even bigger water. These fragile strips of sand are far enough out to sea that to the east you can’t see Africa though you’re told it’s there, and to the west you can’t see the mainland though you’re told…

Sunrise over the water inspiring your day.

Sunset over the water evaluating your day.

Promising to do better tomorrow…or perhaps, do nothing at all.

This day, the Queasy Rider and I had been covering ground all day.

We had left the third member of our expedition, P-Tom, back at the beach house, nursing his badly sunburned feet. P-Tom had camped out the previous afternoon on the deck of his uncle’s beach house, in the shade, with 800+ pages of light reading about Confederate naval fortifications. As sure as Martello walls must crumble before the onslaught of the modern cannonballs of 1861, it was just as inevitable that P-Tom’s page-turner was no match for the insidious onslaught of the warm ocean sun.

He fell asleep.

The shade moved, as fickle shade will.

His beach-appropriate bare feet were exposed.

He snored.

His feet simmered.

We’ll turn that inevitable page for him.

Queaser and I were sympathetic, but still ambulatory. Heartless and undeterred, we beat our un-fried feet down the road to adventure.

We checked out the site of the Chicamacomico Races. This is just fun to say out loud, and it was where the Blues and the Grays in the jolly 1860’s spent a jolly day chasing each other up and down a sandy stretch of beach that meant little to either side, to no discernible improvement to the strategic chances of either side. I forget who chased who first, but both factions got their turn to chase. It was like a re-enaction of something that had not yet been enacted. I dunno. It plumb evaded me. Maybe there was yelling and whooping and beer involved. Maybe it ended in a real nice clambake.

We moved on to see the lighthouse at Hatteras. This is the lighthouse that had been moved back from the encroaching sea. It was an impressive feat, but not speedy, and we had a ferry to catch. We were on our way to Ocracoke Island.

Ocracoke was pleasant and small—humps of sand, clumps of sea oats, and a squat lighthouse that was moving nowhere.  We had pretty well “done” the isle in about 20 minutes, but we had time to kill before the return ferry. We treated ourselves to a dark little restaurant and some dubious-looking, but tasty chowder.

Now we were returning on the ferry along the fringe of the Pamlico Sound to Hatteras. We were leaning on the rail looking toward the mainland we were assured by the maps was out there somewhere.

A line of ten or twelve pelicans flew sinuously past on a course parallel to our craft…above the horizon…then below the horizon…above again…then below again……repeatedly……………..sewing the sea to the sky.

I admire pelicans.

They look so ungainly on land and so commandingly graceful when they fly.

Sewing the sea to the sky, a beautiful unconscious act of nature, oblivious to and unconcerned with the fact that their stitches will never hold.

I have many friends who are stage actors and directors. They are pelicans. They create people and situations that stun and move real people. They sew the sea to the sky for the run of a show. Their stitches never hold. The show closes and the moment disappears except in the minds and hearts of those they stunned and moved…and later of course in their stories shared and expanded with other pelicans over omelets at Josie’s breakfast oasis.

These thespian pelicans are oblivious and unconcerned. They have new lines to learn. They have new, un-permanent stitches to sew.

They have new sowing to do, and new lies to tell.

I admire pelicans.

The Blue Carbuncle

I know it’s early, but may suggest a Christmas movie?

If, like me, you’ve seen the standard yuletide fare the requisite three dozen times, and, like me, you have a pretty good idea of what to do with a general, and like me, you’ve avoided shooting your eye out, and like me, you really dread being forced to resort to the Hallmark Channel, you could clear your egg nog noggin with this.

I’ve begun an extended journey of revisiting the Sherlock Holmes canon as interpreted by Jeremy Brett.

To quote that jolly philosopher Joe Ferrell (who at least once shared a drink with Charles Dickens); “What a joy!”

And it is.

I first met Mr. Holmes as relentlessly portrayed by Basil Rathbone as a non-glamorous leading man in a drab 1940’s overcoat (there’s a reason why Errol Flynn got the girl in THE ADVENTURES OF ROBIN HOOD), dragging a befuddled Dr. Watson around a foggy, criminous London as he skewers the flagitious verbally before he claps ‘em in irons.

Subsequent Sherlocks were just as fun to follow.

Ian Richardson was commanding and thoughtful. That Baskerville mutt gave him no paws.

Benedict Cumberbatch rode the razor rail of sanity and brilliance to bravely butt heads with that Napoleon of Crime; Professor Moriarty.

But Jeremy Brett continues to be the Holmes for me. Fiercely intelligent and fiercely impatient. Knows everything about poisons and smokes like a chimney. A master of disguise and occasionally has the fashion sense of Lebowsky in his flat. uber-sensitive to every nuance of a client’s usually unlikely conundrum and then barges out of the flat, oblivious to Mrs. Hudson’s prideful cuisine under cover on the table;

Holmes; “Come Watson! The trail is hot!”

Hudson; “Which is more than the dinner will be.”

The Brett version of Sherlock is immeasurably enhanced by the passage of time. Brett covers many cases over a number of television seasons. Thus, as we do in Doyle’s stories…and in life, we see Brett’s and Sherlock’s athletic energies wane, stamina fade, wrinkles grow, hairline weaken, and wheeze lurk a little closer to the surface. For some reason…this resonates with me and makes me feel even closer to the still fabulous consulting detective. I’m even considering starting a bee hive. IYKYK.

My favorite Jeremy Brett Sherlock is probably THE BLUE CARBUNCLE.

It’s London at Christmastime. There’s snow, visible breath, top hats, mufflers, various carriages, pubs, a pint of yer finest, and a missing blue gem with a blood-red history. How Dickensian can you get?

Wait!

“Please sir, may I have some more?”

How about geese?

I have a thing about a Christmas goose. Janie, on a whim, cooked a goose for our Christmas years ago and it has become a holiday comfort food for me ever since.

Several geese figure prominently in this story. Whose geese are they? Whence did they come? Wither did they go? Why? What did they eat? Who ate them? Who should go to jail? Whose hat is it?

A well-cooked goose answers most queries and worries.

Goose bless us every one!

Hey! I Got Tickets!

It woulda been in the late 1970’s.

A late weekday afternoon phone call at work.

“Hey! I got tickets for John Prine tonight. Wanna go?”

In the realm of stupid questions…

I know. I know. There are no stupid questions.

But Jesus!

“While out sailin’ on the ocean, while out sailin’ on the sea, I bumped into the Saviour and he said ‘Pardon me.’ I said, ‘Jesus, you look tired.’ And he said ‘Jesus, so do you.’” – John Prine.

It had been one of those livin’-too-near-the-abyss days. I had been berated by my customers (“This was cheaper last week”), berated by my employees (“I need the next three Saturdays off–I have a date/Why don’t you schedule more cashiers/The beer cooler is too cold to stock now”), and berated by my boss (Why is your payroll so high?). It had been a sweaty bike ride to work that morning, and promised to be a steamier ride home.

“He’s playin’ at the Idaho Round-Up tonight. First set’s at eight.”

The Idaho Round-Up was a local Lexington bar. It was about as far from Idaho as any place in Kentucky could be and the only “round-up” I could recall was when I was singing in a band a few years before in a bar in a nearby college town. The bar owner received a heads-up call from the local gendarmes to clear the room before the week-end patrol descended to check ID’s. As expected, they found none, and soon the crowd returned from the sidewalk across the street and no one was arrested. I, being the whitest and worst soul-singer in history probably shoulda been arrested, but there were still two hours to go in the gig and the bar owner still had drinks to sell. Pretty lame for a round-up…

Still, Idaho Round-Up sounded cowboyish and was easy to pronounce, even for the well-lubricated, and they managed to book some nice acts. Mr. Prine had played there with some regularity.

“The night club was burnin’ from the torch singer’s song and sweat was a’floodin’ her eyes. The catwalk creaked ‘neath the bartender’s feet and smoke was too heavy to rise.” – Prine.

The offer of tickets came from Richie Giallo, a wine salesman. I liked Richie. He was gaunt, red-headed, tightly-strung and…okay…if you watched yourself. When dealing with Richie, you needed to keep your store’s needs firmly fixed in mind before he babbled his blandishments. Then, give him half what he asked for, chat a bit about family matters, industry gossip, and the Reds’ chances. Then pull a reverse Columbo as he left; “Oh, by the way, here’s a few other things I need.”

I knew the dance.

He knew I knew the dance.

I knew he knew I knew…

All God’s children got music.

Of course I jumped at the chance to see Mr. Prine again.

“…I feel a storm all wet and warm not ten miles away…approaching…” – Prine.

It was an evening of many unknowns.

It turned out that Richie actually had several tickets. He was sitting at a table near the stage with a couple unknown to me and a date I’d never met, all drinking undetermined quantities of something unidentifiable from which emanated slowly spinning bits of spark and tabletop-searing ash…yes…probably unhealthy.

I was sitting a couple of rows back at a table with another couple I didn’t know and a date I’d met the day before. It was a different time then.

Then Mr. Prine hit the stage and I was basking in a glow of being home with a one-man family for Thanksgiving.

“Grandpa was a carpenter, built houses, cars, and banks, chained-smoked Camel cigarettes and hammered nails in planks. He was level on the level.” – Prine.

I first “met” John Prine on the floor of a barren, hippie-and-flea-infested house near the University of Kentucky campus. There was little furniture, but there was a turntable and four long-playing vinyl discs (that’s what “lp” means for you whippersnappers out there). Three of the records were by Prine, the fourth was disc one (of four) of Wagner’s “Gotterdammerung” (one of the current residents was beginning to take German). I was not taking German. I spun the Prine discs, first heard “Muhlenberg County” and was instantly hooked on Prine’s vocabulary.

“Onomatopoeia. I don’t wanna see ya speakin’ in a foreign tongue.” – Prine.

Then I saw him on stage for the first time in Centre College’s concert hall in Danville. It was a big, dark space. I was sitting in the upper level of the audience. Prine walked out with his guitar and a cigarette. It was just him, and a mike, and a wooden stool with a glass of water. He bobbed and weaved and shuffled his leg in a puzzling way. He drawled and sang and giggled for over two hours about a life I never lived…and made it mine.

“…and the sky is black and still now on the hill where the angels sing. Ain’t it funny how an old broken bottle looks just like a diamond ring?” – Prine.

No dammit, it wasn’t funny. And no, I’ve never been on that particular hill. But Mr. Prine put me there…forever…and I thank him for it.

After that concert in Danville, I followed him through his records and local appearances. I saw him in concert venues and night clubs about a dozen times.

Tonight he was jes’ fine as usual, but I was distracted.

My friend and host was in apparent distress. His head was drooping and his eyes were closed. His tablemates were laughing and pushing his floppiness around as if he were a Muppet until he was left sitting back in his seat, eyes still closed, and his head fully extended back with his Adam’s Apple pointing to the sky. It didn’t auger well for my friend’s well-being and I was, as usual, over-thinking the situation as to what, if anything, to do about it. Not so the other male component of our table. He swiftly and calmly moved and knelt behind my friend’s chair, straightened his head to a normal concert-watching position by cradling it in his arms. I followed him and assumed a similar posture on the other side of my friend’s chair. The other jolly’s at the table were at first dismayed by our intrusion, but still barely coherent enough to figure the odds of resisting. They ultimately sat subdued and the six of us finished the performance in our new positions.

“That’s the way that the world goes ‘round. Yer up one day and then yer down. It’s a happy enchilada and you think yer gonna drown…” – Prine…interpreted by a well-lubricated fan.

When the show was finished, I learned that my tablemate was an EMT. Under his instruction, we fastened my friend to his chair and conveyed him to the car. We drove him home, jimmied a large window on his porch, secured him to one of his own kitchen chairs and achieved putting him safely to bed. The EMT stayed with him through the night.

My friend was OK.

I never saw the EMT, his date, my date, or any of the other participants again…and that’s OK too, I guess. It was a different time then.

“I been brought down to zero, brought up and put back there. I sat on the park bench, kissed the girl with the black hair and my head hollered out to my heart; ‘Better look out below!’” –Prine.

I woulda liked to have helped more.

I woulda liked to have helped better.

But I lacked the knowledge and the skill.

“Before I took on anything too big, I’d wanna be sure I had a purty good cut man in my corner.” – John Steinbeck.

“I have always relied on the kindness of strangers” – Tennessee Williams.

Me too.

Ask Me About My Shirt

“…conversational silences, even when motivated by the mere necessity of drawing breath, must out of ordinary courtesy be bridged somehow.” — Bruce Montgomery (aka Edmund Crispin).

“Ask me about my shirt.”

Out of nowhere and pertinent to nothing that had been said before, that was Queezer’s contribution to the afternoon’s tale-spinning.

I suppose it would qualify as a bewildering example of strategic chitchat…maybe not in normal company, but this was a group of theatre types. Conversational gambits gambol freely in such flocks.

There had been the slightest of pauses in the last boozy speculation of Montana Joe’s wistful reminiscence of a non-existent girls softball team in the Missoula of his youth; a softball dream team immediately and rudely dubbed; “The Humping Heifers of Montana” by the mis-enlightened ribald listeners of this day. Those listeners and their raconteur were only slightly embarrassed by their own crass-itude, and that embarrassment was overwhelmed by the self-pleased, wheezy guffaws from this gaggle of geezers. Said guffaws depleted the reservoir of oxygen in the geezers, thus creating a gap in the chinwag.

This was the gap Queezer sought to bridge with his sartorial demand; “Ask me about my shirt.”

He’d been politely waiting, enduring, besides the admiration for the softball team, the afternoon’s other discussions ranging from;

  • frank reverence for the scat singing of Cyrill Aimeé,
  • the value of singing lessons for young actors,
  • the remarkable competence of past local newspaper reviewers who had once said nice things about us,
  • incredulity about the amazing odds against our dogs being the best good dogs on the planet which clearly they were,
  • the stark drop in attendance and support for live theatre,
  • and the profound beneficial effect of the new pitch clock in major league baseball.

Burning issues all certainly, but lacking somewhat in focus and priority.

Queezer filled the lack and the gap; “Ask me about my shirt.”

Breath and drinks replenished, wary eyes queried sideways. Was this a trick question? Like; “How many fingers am I holding up?” or “How many colors of blue make up the sky?”

Junesboy finally sighed and took one for the team; “OK, where’d ya get that shirt?”

Queezer proceeded to rattle off the provenance of his very nice camp garment to an audience that in the soporific summer sun soon resembled William Powell’s post-prandial cigar-and-brandy old boys nodding and snoring in their New Year’s tuxedos in AFTER THE THIN MAN.

“I ordered it from L. L. Bean. It’s the shirt Roman Polanski wore when he sliced Jake’s nose in CHINATOWN. He got it from Lebowski’s laundry basket. It was one of the bowling shirts in scene three. Before that it was worn by Elliot Gould in the Japan golfing scene in M.A.S.H. Gould borrowed it from Hunter Thompson’s Samoan lawyer – that’s where the beer stains came from. Isn’t it great?”

This went on for a good 20 minutes or so.

Then I woke up from my doze.

But it is a real nice shirt and I really like camp shirts and Hawaiian shirts, whether they’re Tommy Bahama or off the $5.99 spinning wire rack down at Walgreen’s. One of the glories (and there are many) of retirement and hermitude is the possibility of wearing outrageous, voluminous shirts every day. After thirty plus years of a coat-and-tie career, it’s a possibility I strive to realize each morning.

My all-time favorite shirt was a flimsy camp shirt I bought in San Francisco’s Chinatown. It was made in Japan, cost $8.99 and featured not one, not two, but three full dragons in livid color set against a cream background.

It was a quality piece.

Mel Gibson wore it while prowling the treacherous streets of Jakarta with Linda Hunt in THE YEAR OF LIVING DANGEROUSLY. Before that, John Saxon wore it while getting his ass kicked by Bruce Lee in ENTER THE DRAGON. He borrowed it from Sean Connery who wore it while sipping tea with Tetsuro Tanba before jumping in the bath with Akiko Wakabashi in YOU ONLY LIVE TWICE.

I wore it in “The Fifth of July,” directed by my friend Montana Joe on the Guignol Theatre stage in 1983.

It was a helluva shirt.

I’m glad you asked about it.

Hey!

Wake up!!