Tag Archives: Rod McKuen

Life Under the Hedge

Janie and I live under a hedge.

No, we’re not hobbits…though it’s a tempting notion.

No, we’re not deluded…I’m pretty sure.

No, we truly live under a hedge.

Almost 20 years ago, we built a brick wall behind our house. By design, it has missing bricks in a pattern that enables you see through it. It has a mighty trellis on top of it and an iron gate with a heron silhouette.

When it was completed, on the guidance of the wall’s designer (our friend, Sanford Pollack), we planted trumpet vine next to the wall. We didn’t quite follow Sandy’s guidance as faithfully as perhaps we should have. His suggestion to plant one vine was utterly disregarded. It looked so puny. So…we planted six.

As the vines grew and became one, we threaded it into the wall itself and eventually, into the trellis. We removed any trace of green below the trellis, but let the vine run amok above.

The result?

Today, under the trellis, the vines are 1-4 inch woody snakes entwining the bricks. They resemble Hugh Lofting’s line drawings of trees in his “Dr. Doolittle” books or the various dancing trees in Fleischer cartoons. Those squiggly sequoias support the hedge above the trellis.

The hedge is about 30 feet long and ranges from 4-7 feet high above the trellis, reaching a peak of about 13 feet above the ground, and is quite impenetrable. It’s dense, green, and celebrates each summer with hundreds of clumps of butter-yellow and orange-red trumpet blossoms. I’m told it was Thomas Jefferson’s favorite garden plant. I share his opinion except when I’m combatting the hedge’s myriad “volunteers” that insinuate themselves everywhere at the rate of several inches a day.

I love living under the hedge despite the constant battle with its efforts of expansion.

– It’s on the weather side of the house and garden. Its mass offers at least the illusion of some natural defense against natural assaults.

– When cirrus-eyed poets from pre-drone days wonder at “How many colors of blue make up the sky?” and speculate on eyes watching us “make love well” from above, I’m happier with the illusion of privacy the hedge offers.

– In winter when the vines are denuded of their foliage, I’m encouraged when the hedge becomes a chattering condo for tiny nesting birds, though the heron gate beneath suffers the indignity of the resulting guano rain.

Yes, I love living under the hedge, and weirdly enough, despite my determined eradication of its invasive offspring, I think the hedge patronizes me and thinks me to be of some interest.

Otherwise, why would it speak to me?

(Cue the theme from “The Twilight Zone”)

Rowdy and Petulant

Movie night!

One of the commentators on last night’s broadcast from this week’s political convention described a speech as “Clint Eastwood without the chair”. That prompted me to pull out PLAY MISTY FOR ME for the 384th time.

My experience with Clint Eastwood begins with his rowdy and petulant portrayal of Rowdy Yates in the TV cowboy series; “Rawhide”. He had a great squint even then.

Later, I loved his spaghetti westerns; A FISTFUL OF DOLLARS, FOR A FEW DOLLARS MORE and the monumental and rambling THE GOOD, THE BAD, AND THE UGLY. Mr. Eastwood’s character in these films had no name so I just assumed it was an older Rowdy Yates in need of a shower. I wore a poncho myself for several years. I’m not proud of that but I did shower regularly.

Then he created Harry Callahan in the “Dirty Harry” films; talk about rowdy and petulant! But this time, he packed a lot more firepower. For you conspiracy fans, notice that Dirty Harry and Rowdy Yates have the same number of letters in their names. Hm-m. A clue?

The 1992 flick; UNFORGIVEN is a great western. In it, Mr. Eastwood’s character is once more rowdy and petulant, but now also older and slower. He’ll either break yer face or break yer heart – you choose.

These films make me feel as if I’ve watched Rowdy Yates’ entire adult life in movies and enjoyed the hell out of it.

PLAY MISTY FOR ME is not part of that experience. This character (Dave) is not rowdy and petulant, he’s selfish and bewildered.

Random synapses firings from MISTY;

  • It strikes me how similar Clint Eastwood’s radio show in the film is to “Chris in the Morning” on the TV show; “Northern Exposure”. Of course there’s a degree of difference – about 70 degrees of difference.
  • I also wonder if Adrienne Barbeau’s radio show in John Carpenter’s THE FOG might be inspired by Mr. Eastwood. In my travels by car around Kentucky, I’ve caught myself scanning radio channels searching for Clint, Chris, and Adrienne. A little poetry on I-65 would relieve the pounding of the semi convoys.
  • Donna Mills is luscious in her cuter’n-pup-turds pixie haircut. But I cannot get her “Knot’s Landing” character out of my head and I keep weighing who’s truly more dangerous; her or Jessica Walters?
  • I have the similar issues with the amazing picture postcard shots of the Monterey Peninsula director Clint Eastwood employs in this film. Yes, the images are beautiful. Yes, I’ve visited the area AND read Kerouac’s tone poem in BIG SUR and know for certain the beauty of Monterey is not a trick of movie-making, it’s there. But the cumulative effect of these shots keeps summoning the croonings of Rod McKuen recordings…not so good in a film of terror.

Unlike Rowdy Yates, this film doesn’t age well, but I love it.